Art, Behind the Scenes, Color, General Posts, Projects

Jumping in Head First; An Art Piece Like No Other (for me at least)

When I proposed this project almost two years ago I had not a clue as to who what I was getting myself into. My client, referred to me by Wendy Appleby, has lived in this house for over 20 years and hadn’t figured out what to do with the giant overmantle that loomed over the front room. She is a collector of great art and owns a few Picasso’s, Chagall’s, and Matisse’s. She also collects glass and so when I proposed  that we do an abstract glass piece she was sold. “Great!” I thought, then “What the hell did I just say I would do??”

Paper template for glass
Paper template for glass

The first thing was to figure out if the glass could be cut in the way we wanted. I went to several places but the only folks who could help me out were Sherry and Len Berkowitz from Great Panes in Old Ellicott City. They had the glass water jet cut to my template. I was stoked that they were able to help me out. Its also nice to be able to use the talents of friends.

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Working on spacing to make the template for the steel armature.
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tracing out the template for the steel armature

So on to the next task of figuring out how to go about executing what was in my brain. Enter my friend Annie Lemarie, an expert at gilding. I took a trip out to her house in Sharpsburg and spent the day playing in her studio. She lives directly across the street from the Antietam Battlefield, a beautiful setting for a fun filled day. We figured out the method of application of colors and metals, an oil based paint would suffice.

Back to the studio and my friend Ewan Tulis constructed this easel that would serve to allow me to study the front as I was working along. I had to work on the back, a technique called “reverse painting” or “reverse gilding.” I was essentially flying blind with the first layers of color. It looked so awful until the leaf and mica powders were applied. Then the whole thing came to life.

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Working on the color
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Next, gilding over the color
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More gilding
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First looks at the front! So pretty!!

 

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Dry fitting the armature to the glass

Finally, the last task was mounting it. Bill Knapp, yet another friend, who works in found object metal sculpting, built an armature that would allow the glass to be suspended from the wall as if it were floating. It was heavy and would be hung on a travertine tiled wall. We couldn’t really figure out where the studs were so we hoped that when the client decided she was going to replace the wood burning fireplace with a gas insert that we were going to be able to look up inside to see where we were going to tap in. Luck was not in our favor but thankfully the way Bill made the armature, our pilot holes would be covered over.

Ewan doing his thing
Ewan doing his thing

Finally! The day came for it to be installed. Ewan and his assistant Matt worked smoothly and professionally to place my work perfectly over the fireplace. It was such a treat to see it in its place after so much planning and work.

Ewan and Matt working on installing the final piece.
Ewan and Matt working on installing the final piece.
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The final product!

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The best compliment came from my client when she said, “That’s cool as S***!” I laughed out loud. The icing on the cake was an email she sent that evening. “[My husband] walked in the door and saw the painting and his comment was “spectacular”! He sat down on the sofa, stared at the painting and said to tell Dee the painting was well done. The funniest comment he had was that it is a lot more colorful and stands out more than what we had before. I laughed and told  him I sure hope so because there was nothing on the wall before. It is truly am amazing piece of art!”

That makes me happy.

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